DENTON WRITERS LEAGUE
FIRST EDITION
FEBRUARY 2005 VOL. 16 NUMBER 2

DWL Home Page: http://byjoni.com/dwl

If you would like a copy of the newsletter e-mailed to you instead of through the US post, please contact George Avera or Joni Latham.


WHERE WE MEET AND WHEN

The second Saturday of every month, at the

Denton Library-North Branch - click here for map 
3020 N. Locust St (corner of Windsor St & N. Locust St)
 Denton, TX

General Meeting 10:30 a.m.

Lunch at Noon at the
 Evergreen Super Buffet - click here for map 
1006 W. University Dr
Denton, TX 76201

NEXT MEETING: FEBRUARY 12, 2005


Guest Speakers

February 12 - Cindy Daniel
March 12 - Britta Coleman
April 9 - Dr Nat Adams, DVM
May 14 - Jim Wilson, DVM
June 11 - Chris Espinosa
July 9 - Joan R. Neubauer
August 13 - Cindy Vallar
September 10 - Workshop- George Wilhite
October 8 - Jim H. Ainsworth
November 12 - Barbara Carr
December 10 - General Meeting

GUEST SPEAKER

Cindy Daniel lives in Rockwall, Texas (a lakeside suburb of Dallas) with her
husband, son, and daughter. She works as an orthopedic research
coordinator at a Dallas area children's hospital.

Her debut novel, Death Warmed Over, was released in hardcover in
October 2003 release. This new series, set in the East Texas Bible
belt, is packed with sibling rivalry, lust, old-fashioned Christian
guilt, death of a beauty queen, and, of course, pickup trucks.

Cindy is the President of Mystery Writers of America Southwest Chapter,
was the 2004 President of Sisters in Crime - Internet Chapter. She is a
member of Mystery Writers of America, Sisters in Crime, SinC Internet
Chapter, SinC Guppies, Romance Writers of America - Kiss of Death, and
American Medical Writers Association; she is the Dallas Meeting
Coordinator for the Southwest Chapter of Mystery Writers of America.

She coordinates and writes the Ask-A-Pro feature for the Sisters In
Crime Internet Chapter.  Check out her interview with crime reporter -
turned best selling author - Michael Connelly at www.sinc-ic.org.
And, you can preview Cindy's writing at www.claudiamccants.com. She
wrote segment 10 of Claudia's serial story DEAD WEIGHT. She also
reviews books for Mystery Morgue.


JANUARY MEETING RECAP

Dave Gaubatz was the first U.S. Civilian Federal Agent deployed to Iraq at the start of Operation Iraqi Freedom. He is an Arabic linguist and specialized in counterterrorism. He led the mission to rescue the family of Mohammed Rehaief (Iraqi lawyer who saved Private Jessica Lynch). Mohammed, his wife, and daughter were immediately granted asylum in the U.S. He had to leave his brothers, sisters, nieces, and father in Iraq. His family was threatened by insurgents because of his assistance to the U.S.  Mr. Gaubatz led a team to locate and rescue his family. They have now been granted asylum in the U.S. He is working on a novel which in conjunction with lectures would not only discuss the events above but will cover (unclassified version) why no WMD were found in Iraq, why we are currently having the problems with insurgents in Iraq, and how and if we can win the war on terror. He is currently the Chief Investigator for the Dallas Medical Examiners Office.

With such a background, Dave was able to give the group a valuable insight into the War with Iraq that only a participant could provide.  We gained a new understanding of the Iraqi people, their views, and the way they are forced to live after the invasion.  The insurgents are just 1% of the Iraqi population and comprised these days of mostly non-Iraqis.  On the subject of Weapons of Mass Destruction, the weapons were there.  Lists of locations were made from interviews with the local people, but by the time personel actually went to pick up the weapons, they had been spirited out of the country.

In all, the talk was very interesting and continued on into lunch.   


MEMBER NEWS

Keri Fry's new book, PLEASE COME HOME FOR CHRISTMAS, A HOLIDAY STORY, will be out from RonJon Publishing by the time this newsletter goes out.  It sells for $12.00.  To order a copy contact Keri at keri@cooke.net .

Jim Matheson has two books coming out in the near future.  The first, THE VALENTINE'S CARD will be available Valentine's Day.  THE GOOD FRIDAY MARBLE TOURNAMENT, part of the LITTLE BIT series will be available around Easter. 


Is ePublishing For You?
Questions Publishers Should Ask Themselves to Determine Feasibility of This “Brave New Format”
By Mary Westheimer

When 400,000 people downloaded Stephen King’s novella Riding the Bullet in a matter of days, it was news. Publishers, in particular, had reason to take notice. What this phenomenon told them was that nearly a half-million people out there know how to read eBooks or are willing to learn. That revelation quickly added electronic production and delivery to the list of viable publishing options.

But what exactly is ePublishing? What are its advantages and challenges? First, let’s define the term: ePublishing is the digitizing of text, graphics and photographs. An eBook can be downloaded to a desktop, a laptop, a palmtop, a handheld device or some other sort of computer. The digitized version could be a complete book, a part of a book, supplementary or updated material, or a special edition created especially for this interactive medium.

ePublishing also is valuable to publishers who want to test materials, even though interest in an electronic document does not necessarily indicate interest in a printed form. It also is an interesting option to publishers who do not want to compete with their traditional channels, such as their distributors, wholesalers or bookstores. They can create new documents or products that can be sold only from their Web sites. This is not unlike computer manufacturers who sell certain models through retail computer stores, and other models, with different features, directly to consumers.

If you’re considering ePublishing, here are some of the questions to ask yourself:

How time-sensitive is this material?

If your books or materials offer information that people want immediately, ePublishing can be the perfect vehicle for delivering it. For instance, Cliffs Notes now sells its popular guides online at www.cliffs.com Imagine that it’s midnight the night before a paper on Moby Dick is due. Just how much would a student pay for a Cliffs Notes at that point?

How often does this material change?

ePublishing is especially good for books, reports and other documents that are updated frequently. It is best handled on a Web site, where you are able to upload and download the information easily.

Is the audience for the material likely to use computers or feel comfortable reading from a computer? Are these users more likely to have a desktop or laptop or a handheld device?

If you’re publishing material for young children or senior citizens, ePublishing may not be your first choice. If your potential readers are extremely mobile or use computers in their work, it could be an excellent approach. For instance, Johnny Hamilton of Construction Trades Press is especially interested in creating electronic documents that can be used on location during construction jobs.

If your audience is computer-comfortable, think about what formats will make the most sense. Options include the following:

How important is it to protect the copyright on this material?

If this is important – and, believe it or not, it isn’t to all publishers – you’ll want to make sure that the material is encrypted to protect your digital rights. Some people point out that anyone can make and distribute photocopies of a printed page, too, but the ability to attach an electronic document to an email and send it to 100 of your best friends is far easier. It’s also one of the things that have held back publishers’ interest in ePublishing. HTML and text documents are easily copied. PDF documents, Rocket eBook and Microsoft Reader files offer you flexibility in this area: you can choose whether to encrypt the material or not.

How important is maintaining consistency with the printed version’s appearance?

Consider the benefits and tradeoffs of having your electronic material look just like its printed equivalent. If this is important to preserve graphic placements, etc., PDF is likely the best choice for you. HTML, XML, text options, Rocket eBook and Microsoft Reader all are formatted differently.

Can this material be broken into sections and sold “granularly”?

If you publish directories or other materials of which just parts would be of value to readers, you might want to consider what is sometimes called “granular ePublishing.” Not only is it often better for customers, but it is also possible to make more money by selling your materials this way. It also can be a good way to avoid competing with your traditional sales channels.

One good example of this is the Audiobook Title Locator, a joint project of the Audio Publishers Association and R.R. Bowker. In its printed form, this annual is known as Books on Cassette and costs more than $200. Finding only those audiobooks by a certain author, publisher or reader isn’t easy. Yet in the online edition, purchasers can buy one search, 10 searches or a one-year subscription. Although this sort of material is usually delivered in HTML format, copyright infringement is difficult because each listing must be accessed individually.

Would aspects of this document be more valuable if they were interactive?

Johnny Hamilton of Construction Trades Press is preparing his books for electronic release in Adobe PDF format, but he doesn’t want them to mirror the printed document. “It has to be interactive, or how can I charge them as much as for the printed version when production costs are so much lower?” he asks. “The electronic version is much more valuable if people can click from the questions in the front of the book right to the answers in the back of the book. I might also offer glossaries, in which users can click right to the definition from within the text.”

Hamilton points out that a publisher also can link to Web sites for current information, reducing the need for printed revisions. “It’s a very similar dynamic to a Web site, in which you’re creating a community and you want people keep coming back,” he said.

What is the economic impact of offering books in electronic format?

Along with the many ways to produce and offer eBooks come wildly varying costs and prices. Producing electronic versions of your book can vary from nothing to several hundred dollars, depending upon the complexity of the project and the way it is going to be offered. There are several sites offering eBooks that will convert at no charge -- in exchange for 40 to 60 percent the purchase price.

Unlike printed editions, once the material has been converted, however, there are no additional printing costs. That – and competition – has driven many publishers and sites to offer books at a 33 percent discount. Others charge the same price as the printed edition. Some sites do not charge for conversion but take a 50 percent cut of each sale from their site.

Do I want to sell from my own site or someone else’s site?

Many of the ePublishing services require sales from their sites. You can easily link to those sites, or you can sell from your own if you prefer to maintain control of your intellectual property. While he also has his eBooks listed at Amazon.com, Barnes & Noble, Borders and the BookLocker, Wayne Perkins of Hypnotism Education Publishing also sells his electronic reports and books from his own site at www.wayneperkins.net.

“[People] come looking for information about hypnotism, which is what my site is all about,” he explains. Visitors pay for the materials, then Perkins ships them by attaching them to an email message.

BookZone offers the option to sell from your own site with the setup of your own payment, delivery and sales reporting system, with or without digital rights protection, and a 16 percent or 7 percent fee per download, respectively. Like any business decision, it behooves each publisher to “work the numbers” and determine the feasibility of offering each format.

How does ePublishing relate to Print-on-Demand technology?

Print-on-demand (POD) is a technology that may indeed have greater impact on the publishing industry than electronic publishing. Interestingly enough, the “front end” for POD is the Adobe PDF format, which is currently the leading ePublishing format. Although the settings must be adjusted somewhat for optimum presentation in print or in pixels, the synergy reduces the learning curve – and costs – for publishers.

Can I use ePublishing to test product viability?

As ePublishing develops, this question arises frequently. Compared with publishing printed material, producing an eBook is so cost-effective and quick that many authors and publishers are drawn to publish electronically first, then go to print as volume increases. Wayne Perkins was able to take this approach with his hypnotism books. When he discovered that people were visiting his site to read about how to hypnotize other people by a three-to-one margin, he created an eBook called How to Hypnotize People and Other Living Things. “Between December 5, when I put the eBook on my site, and January 6, I had 100 orders for that title from my site,” says Perkins. “There is no other publicity for that title.” Although his new book on publishing eBooks, A Cheap and Easy Guide to Self-Publishing eBooks, is doing very well at Barnes & Noble, sales at the Barnes & Noble site for the hypnotism title are modest. Perkins has promoted his site heavily as a source for information about hypnotism, however. Indeed, promotion is no less critical for eBooks than for printed ones.

Popularity in electronic format will indicate overall interest in your information, but a lack of eBook sales may not necessarily suggest that a book wouldn’t sell in printed or even audio editions.

Are there any other benefits of ePublishing?

When computers first became popular, there was much talk about how they would save paper. Now, of course, we know they did quite the opposite, prompting people to use more paper than ever! ePublishing, however, does offer real hope of saving resources. As an example, consider Stephen King’s recent eBook release: 400,000 copies of about 60 pages each (not including a much heavier paper stock to produce a full-color cover) means that, in its debut on the Internet, the eBook Riding the Bullet saved more than 24 million pages in its first 24 hours, which roughly equates to 6,700 trees. With the rapid disintegration of rain forests worldwide in the last half of the twentieth century, eBooks offer an attractive, environmentally conscious alternative in helping to create and maintain a better-balanced natural world.

Although ePublishing is still new territory for many publishers, it won’t be long before purchasers will be able to browse a book “automat” from which they will buy the format that works best for them. Just as movie studios now decide whether to initially release a film into theatres first then into video, straight to video, or to television, publishers will have many options for serving their customers. That’s good for publishers, authors and readers.

Author Mary Westheimer is CEO of BookZone (www.bookzone.com), the largest provider of Internet hosting, design, development and promotion services for the publishing industry. BookZone offers granular and full-document ePublishing systems, including digital rights protection. For more information, contact BookZone at epub@bookzone.com and 800-536-6162 (480-481-9737 in Arizona).
Reprinted from BookZone Pro, http://www.bookzonepro.com

On-Line Writers resources

Author's Network-for writers about writing based in Europe, but interesting- http://www.author-network.com/
Copyright Forms-
http://www.loc.gov/copyright/forms/
Dallas Sceen Writers- http://www.dallasscreenwriters.com/
Denton Public Library -
http://www.cityofdenton.com/pages/library.cfm
National Association of Women Writers -
http://www.naww.org
National Writers Union - http://www.nwu.org/
New Writer's Market
http://hge.members.atlantic.net/
Para Publishing Website - a good writing, publishing, and promotion source - http://parapub.com/getpage.cfm?file=/homepage.html&user=#user
Preditors and Editors-a resources to check out agents and publishers
http://www.anotherealm.com/prededitors/
Ralan's Webstravaganza-speculative fiction resource http://ralan.com/

Society of Children's Writers and Illustrators - http://www.scbwi.org/
Texas Coalition of Authors, Inc. - http://www.texasauthors.org/
Texas Writers League - http://www.writersleague.org/
The Market List-the online resource for genre fiction writers http://www.marketlist.com/
The Novelist's Workshop-essays and advice on how to publish your book- http://www.monash.com/writers.html
Writer's Exchange -
http://www.writers-exchange.com/epublishing/
Writer's Market -
http://www.writersmarket.com/index_ns.asp
Writers Net-source for information for writers, editors, agents, and publishers - http://www.writers.net
Writing-World.Com - 
http://www.writing-world.com 
The Zuzu's Petals Literary Resource Homepage-for both writers and poets- http://www.zuzu.com/

There are multitudes of writing resources available on the Internet. Go to any search engine and ask for writer's resources, writer's markets, writer's contests, writer's conferences, etc


DWL OFFICERS:

President       Joni Latham ( joni1957@verizon.net) - 940/243-5200
Vice President  June Powell - 940/565-1013
Treasurer       Joseph Marino
Newsletter      George Avera (
georgeavera@copper.net
) - 940/382-8161